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Soon after that they're discovering each other's keys to sensual ecstasy, in the movie's already much-talked-about sex scenes.

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Kechiche has a sense of rapture that extends to all the human senses Adèle and Emma, in the first throes of romance, eat as much, and as ravenously, as they make love, and there's particular attention given to Emma teaching Adèle how to appreciate oysters. (There are echoes here, oddly enough, of Claude Chabrol's little-seen 1990 adaptation of Henry Miller's 'Quiet Days In Clichy,' starring Andrew McCarthy.) #BLUE IS THE WARMEST COLOUR ENGLISH SUBTITLES HOW TO# The movie's transportive quality lies almost entirely with its lead actresses. They are committed to their roles to a degree that could be called exuberant. Neither gives off the slightest hint of working to achieve or inhabit an emotional effect. As the two lovers go, inevitably, out of the state of white-hot attraction and voraciousness and into a domesticity that presents the typical, and typically ugly, problems that an acolyte/ingénue arrangement presents, Adèle seems to grow up before the viewer's eyes in a way that makes Emma's self-possessed confidence look kind of complacent.Īs it happens, that's not the thing that starts to drive the lovers apart. I am loath to give away the plot details that some say constitute spoilers, but on the other hand, as I said up front, this is a story of first love, and all stories of first love wind up somehow as stories of first love betrayed. And once the hurting starts, the performances grow more wondrous and sad. So much so that one isn't much bothered by the material that Kechiche elides in his long film.

Oddly, after going to great pains to establish the homophobia of Adèle's high-school could-become-mean-girl chums, Kechiche doesn't depict the way it might have deposited any fallout in Adèle's life as she moves from school to apprenticeship teaching nor, after showing a 'we're just study friends' dinner at which Adèle introduces Emma to her parents, do we see any of Adele's family life after she moves in with Emma. In the aftermath of viewing, this strikes one as odd. Then there's the ostensible 'male gaze' issue. #BLUE IS THE WARMEST COLOUR ENGLISH SUBTITLES MOVIE#.#BLUE IS THE WARMEST COLOUR ENGLISH SUBTITLES HOW TO#.